MARC

 008011012s1999        ulka                        0a    kor
■020    ▼a89-7000-197-2
■0801  ▼a621.397
■082    ▼a621.388▼b최68ㅂ▼223
■090    ▼a621.388▼b최68ㅂ
■1000  ▼a최성진,  이선희
■24510▼a방송통신공학개론▼d최성진,  이선희  공저
■260    ▼a서울▼b연학사▼c1999
■300    ▼a235p.▼b삽도▼c26cm
■505    ▼a원자  및  전기(The  atom  and  Electricity)▼c17▼a기본적인  회로(Basic  Circuit)▼c20▼a측정  단위-1  (Unit  of  Measurement-1)▼c23▼a측정  단위-2  (Unit  of  Measurement-2)▼c28▼a약자(Abbreviation)▼c30▼a유도  및  잡음(Induction  and  Noise)▼c33▼a카메라  시스템의  구성  요소(Camera  System  Component)▼c36▼a카메라  주사(Camera  Scanning)▼c40▼a블랭킹(Blanking)▼c44▼a파형  디스플레이(Waveform  Display)▼c4600▼a카메라  촬상관의  문제점(Problem  of  Camera  Pickup  Tube)▼c4911▼a전하-결합  소자(Charge-Coupled  Device)▼c5122▼aCCD의  장점(CCD  Advantage)▼c5433▼aCRT(Cathode  Ray  Tube)▼c5744▼a칼라  시스템(Color  System)▼c6055▼a눈은  빛을  어떻게  보는가(How  the  Eye  Sees  Light)▼c6366▼a기록  및  인코딩(Registration  and  Encoding)▼c6677▼a칼라  CRT(Color  CRT)▼c6988▼a비디오  시스템  구성요소(Video  System  Component)▼c7299▼a동기발생기(Sync  Generator)▼c7500▼a동기발생기의  신호들(Sync  Generator  Signals)▼c7811▼a벡터스코프(Vectorscope)▼c8222▼aPAL  방식(PAL  Format)▼c8633▼aSECAM방식(SECAM  FORMAT)▼c8944▼a동기  흐름도-1(Sync  Flow  Diagram-1)▼c9255▼a동기  흐름도-2(Sync  Flow  Diagram-2)▼c9566▼a카메라  흐름도(Sync  Flow  Diagram)▼c9977▼a동기와  카메라  흐름도의  결합(Combining  Sync  and  Camera  Flow  Diagram)▼c10288▼a비디오  스위쳐(Video  Switcher)▼c10599▼a스위쳐의  응용(Switcher  Application)▼c10900▼a제작  스위쳐의  흐름도(Production  Switcher  Flow  Diagram)▼c11211▼a스위쳐에  의한  전환과  특수효과(Switcher  Transition  and  Special  Effect)▼c11422▼a특수효과키-루미넌스  키(Special  Effect  Keys-Luminance  Key)▼c11733▼a특수효과키-크로마키(Special  Effect  Keys-Chroma  Key)▼c11944▼a디지털  특수효과(Digital  Special  Effect)▼c12255▼a비디오  테이프  녹화기술(Videotape  Recording  Technology)▼c12566▼a비디오  녹화  표준  및  포맷-1(Video  Recording  Standard  and  Format-1)▼c12877▼a비디오  녹화  표준  및  포맷-2(Video  Recording  Standard  and  Format-2)▼c13188▼a비디오  녹화  표준  및  포맷-3(Video  Recording  Standard  and  Format-3)▼c13499▼a타임  베이스  오차(Time  Base  Error)▼c13600▼a타임  베이스  오차의  외부적  원인(External  Causes  of  Time  Base  Error)▼c13811▼a타임  베이스  오차의  수정(Time  Base  Error  Correction)▼c14122▼aVTR  락-업-1(VTR  Lockup-1)▼c14333▼aVTR  락-업-2(VTR  Lockup-2)▼c14644▼a타임  베이스  수정기(Time  Base  Corrector)▼c14855▼a디지털  기술-TBC의  핵심(Digital  Technology-The  Heart  of  a  TBC)▼c15166▼a동기화된  신호(The  Synchronized  Signal)▼c15477▼a더  큰  동기  문제와  해법(Larger  Sync  Problem  and  Solutions)▼c15788▼aTBC와  FSS의  다른  이점(Other  Advantages  of  TBC  and  FSS)▼c16099▼a비디오  테이프의  편집(Editing  Videotape)▼c16300▼a편집  과정(The  Editing  Process)▼c16611▼a편집의  형태(Type  of  Edit)▼c16922▼a편집  방법(Editing  Method)▼c17233▼aSMPTE  타임  코드  편집(SMPTE  Time  Code  Editing)▼c17544▼a오프-라인  편집과  온-라인  편집(Off-Line  and  On-Line  Editing)▼c17755▼a컴퓨터에  의한  편집(Editing  by  Computer)▼c17966▼a전통적인  편집의  문제점들(Problems  of  Traditional  Editing)▼c18177▼a비선형  편집(Nonlinear  Editing)▼c18388▼a영상을  위한  컴퓨터  그래픽(Computer  Graphic  for  Video)▼c18599▼a문자  발생기(Character  Generator)▼c18800▼a상의  창조  및  효과(Creating  Imagery  and  Effect)▼c19011▼a컴퍼지트  영상  대  컴퍼넌트  영상(Composite  versus  Componet  Video)▼c19322▼a완벽한  디지털  시스템(Complete  Digital  System)▼c19633▼a디지털  비디오  테이프  녹하기(Digital  Videotape  Recorder)▼c19844▼a새로운  디지털  테이프  포맷(Newer  Digital  Tape  Formats)▼c20155▼a영상  압축(Video  Compression)▼c20466▼a개방  구조장비  대  전용  장비(Open  Architecture  Equipment  versus  Dedicated  Equipment)▼c20777▼a고화질  TV(HDTV)▼c21088▼a미래의  고화질  TV를  위한  FCC의  계획(The  FCC's  Plan  for  HDTV  in  the  Future)▼c21399▼a필름  대  영상  전환(Film-to-Video  Transfer)▼c21500▼a필름  체인의  배치(Film  Chain  Layout)▼c21711▼a필름  체인  영사기와  비디오  카메라(Film  Chain  Projector  and  Video  Carmera)▼c22022▼a고품질로  필림의  영상  전환(High-Quality  Film-to-Video  Transfer)▼c22233▼a패치  판(Patch  Panel)▼c22444▼a패치  판을  연결하는  규칙과  절차(Patching  Rules  and  Procedure)▼c22755▼a소형  패치  판의  설명(Explanation  of  a  Small  Patch  Panel)▼c22966▼a간단한  패치  판의  연결  실습(Simple  Patching  Exercise)▼c23277
■950    ▼b￦12000

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