서브메뉴
검색
Origins, imitation, conventions - [electronic resource] : representation in thevisual arts : James S. Ackerman.
![Origins, imitation, conventions - [electronic resource] : representation in thevisual art...](/Sponge/Images/bookDefaults/NNbookdefaultsmall.png)
Origins, imitation, conventions - [electronic resource] : representation in thevisual arts : James S. Ackerman.
Detailed Information
- 자료유형
- 비도서
- ISBN
- 0585436983 (electronic bk.)
- 미국회청구기호
- N7480-.A29 2002eb
- DDC
- 701/.18-21
- 서명/저자
- Origins, imitation, conventions - [electronic resource] : representation in thevisual arts : James S. Ackerman.
- 발행사항
- Cambridge, Mass. : MIT Press, c2002.
- 형태사항
- xi, 328 p. : ill. ; 24 cm.
- 서지주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용On origins of art history and criticism -- The origins of architectural drawing in the Middle Ages and Renaissance -- Leonardo da Vinci's church designs -- Onthe origins of architectural photography -- Imitation -- Art and science in thedrawings of Leonardo da Vinci -- The aesthetics of architecture in the Renaissance -- The influence of antiquity on Italian Renaissance villas -- Daniele Barbaro and Vitruvius -- Palladio: classical in what sense? -- Thomas Jefferson and Italy -- The conventions and rhetoric of architectural drawing.
- 복제주기
- Electronic reproduction. . Boulder, Colo. : NetLibrary, 2003. Available via World Wide Web. Access may be limited to NetLibrary affiliated libraries.
- 일반주제명
- Art criticism Historiography. Art Historiography. Art, Renaissance. Modernism (Art) Poststructuralism.
- 기타저자
- NetLibrary, Inc.
- 기타형태저록
- . Original. 0262011867. (DLC) 2001044155. (OCoLC)47295757
- 전자적 위치 및 접속
- . Original. 0262011867. (DLC) 2001044155. (OCoLC)47295757
- Control Number
- gtec:54096
MARC
008030402s2002 maua sb 001 0 eng d■003 OCoLC
■020 ▼a0585436983 (electronic bk.)
■040 ▼aN▼T▼cN▼T
■05014▼aN7480▼b.A29 2002eb
■08204▼a701/.18▼221
■090 ▼a ▼b
■1001 ▼aAckerman, James S.
■24510▼aOrigins, imitation, conventions▼h[electronic resource] ▼brepresentation in thevisual arts ▼cJames S. Ackerman.
■260 ▼aCambridge, Mass. ▼bMIT Press▼cc2002.
■300 ▼axi, 328 p. ▼bill. ▼c24 cm.
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aOn origins of art history and criticism -- The origins of architectural drawing in the Middle Ages and Renaissance -- Leonardo da Vinci's church designs -- Onthe origins of architectural photography -- Imitation -- Art and science in thedrawings of Leonardo da Vinci -- The aesthetics of architecture in the Renaissance -- The influence of antiquity on Italian Renaissance villas -- Daniele Barbaro and Vitruvius -- Palladio: classical in what sense? -- Thomas Jefferson and Italy -- The conventions and rhetoric of architectural drawing.
■533 ▼aElectronic reproduction.▼bBoulder, Colo. ▼cNetLibrary▼d2003.▼nAvailable via World Wide Web.▼nAccess may be limited to NetLibrary affiliated libraries.
■6500 ▼aArt criticism▼xHistoriography.▼aArt▼xHistoriography.▼aArt, Renaissance.▼aModernism (Art)▼aPoststructuralism.
■6557 ▼aElectronic books.▼2local
■7102 ▼aNetLibrary, Inc.
■7761 ▼cOriginal▼z0262011867▼w(DLC) 2001044155▼w(OCoLC)47295757
■8564 ▼3Bibliographic record display▼uhttp://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=75017▼zAn electronic book accessible through the World Wide Web;click for information
■994 ▼a92▼bK4R
