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Women through the lens - [electronic resource] : gender and nation in a centuryof Chinese cinema : Shuqin Cui.
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Women through the lens - [electronic resource] : gender and nation in a centuryof Chinese cinema : Shuqin Cui.
Detailed Information
- Material Type
- 비도서
- ISBN
- 0585479143 (electronic bk.)
- LC Callnumber
- PN1993.5.C4-C85 2003eb
- DDC
- 791.43/0951-22
- Author
- Cui, Shuqin.
- Title/Author
- Women through the lens - [electronic resource] : gender and nation in a centuryof Chinese cinema : Shuqin Cui.
- Publish Info
- Honolulu : University of Hawai？ Press, c2003.
- Material Info
- xxvi, 304 p. : ill.
- 서지주기
- Filmography: p. [249]-267.Includes bibliographical references (p. [287]-297) and index.
- Formatted Contents Note
- 완전내용Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in XieJin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity:female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women'sfilms. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in HuangShuqin's Human, woman, demon.
- Reproduction Note
- Electronic reproduction. . Boulder, Colo. : NetLibrary, 2003. Available via World Wide Web. Access may be limited to NetLibrary affiliated libraries.
- Subject Added Entry-Topical Term
- Motion pictures China History. Sex role in motion pictures. Women in motion pictures.
- Added Entry-Corporate Name
- NetLibrary, Inc.
- Additional Physical Form Entry
- . Original. 0824825322. (DLC) 2002010919. (OCoLC)50192156
- Electronic Location and Access
- . Original. 0824825322. (DLC) 2002010919. (OCoLC)50192156
- Control Number
- gtec:48355
MARC
008031121s2003 hiua sbq 001 0 eng d■003 OCoLC
■020 ▼a0585479143 (electronic bk.)
■040 ▼aN▼T▼cN▼T
■043 ▼aa-cc---
■05014▼aPN1993.5.C4▼bC85 2003eb
■08204▼a791.43/0951▼222
■090 ▼a ▼b
■1001 ▼aCui, Shuqin.
■24510▼aWomen through the lens▼h[electronic resource] ▼bgender and nation in a centuryof Chinese cinema ▼cShuqin Cui.
■260 ▼aHonolulu ▼bUniversity of Hawai？ Press▼cc2003.
■300 ▼axxvi, 304 p. ▼bill.
■504 ▼aFilmography: p. [249]-267.▼aIncludes bibliographical references (p. [287]-297) and index.
■5050 ▼aPart I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in XieJin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity:female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women'sfilms. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in HuangShuqin's Human, woman, demon.
■533 ▼aElectronic reproduction.▼bBoulder, Colo. ▼cNetLibrary▼d2003.▼nAvailable via World Wide Web.▼nAccess may be limited to NetLibrary affiliated libraries.
■6500 ▼aMotion pictures▼zChina▼xHistory.▼aSex role in motion pictures.▼aWomen in motion pictures.
■6557 ▼aElectronic books.▼2local
■7102 ▼aNetLibrary, Inc.
■7761 ▼cOriginal▼z0824825322▼w(DLC) 2002010919▼w(OCoLC)50192156
■8564 ▼3Bibliographic record display▼uhttp://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=100389▼zAn electronic book accessible through the World Wide Web;click for information
■994 ▼a92▼bAMF
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