MARC

 008030609s2002        ulk                      000      kor
■020    ▼a89-88375-12-2
■0801  ▼a82-996
■082    ▼a800▼223
■090    ▼a800▼b강34ㅈ
■1000  ▼a강명관
■24510▼a조선시대  문학예술의  생성  공간▼d강명관  저.
■260    ▼a서울▼b소명출판▼c2002
■300    ▼a428p.▼c24cm
■505    ▼a제1부▼a조선전기  고려가요의  전승과  시조사의  문제▼c13▼a1.  머리말▼c13▼a2.  고려가요에  대한  비판적  인식의  역사▼c15▼a3.  조선전기  고려가요의  지속적  전승과  그  의미▼c43▼a4.  고려가요  전승의  근거-사대부의  향락열▼c57▼a5.  조선전기  고려가요의  전승과  시조사(時調史)의  문제▼c81▼a6.  맺음말▼c104▼a조선전기  사대부의  음악향유의  제  양상▼c107▼a1.  머리말▼c10700▼a2.  자가생산(自家生産)-자가소비적(自家消費的)  음악향유▼c10911▼a3.  악공ㆍ기녀의  초청과  사대부의  음악향유▼c12022▼a4.  가내(家內)  음악인-성비(聲婢)의  양성에  의한  음악향유▼c13733▼a5.  맺음말▼c15344▼a제2부55▼a조선후기  서울의  중간계층과  유흥의  발달▼c15966▼a1.  머리말▼c15977▼a2.  조선후기  도시  유흥의  발달  양상▼c16088▼a3.  조선후기  중간계층과  도시  유흥▼c17199▼a4.  맺음말▼c18800▼a사설시조의  창작  향유층에  대하여▼c18911▼a1.  문제의  소재▼c18922▼a2.  양반  창작  향유설의  논리  구성▼c19133▼a3.  사설시조  양반  창작  향유설에  대한  비판▼c19344▼a4.  사설시조의  성행과  중간계층▼c20455▼a5.  맺음말▼c21666▼a사설시조와  여항한시의  대비적  고찰▼c21977▼a1.  머리말▼c21988▼a2.  사설시조와  여항한시의  현세적  향락주의▼c22099▼a3.  여항인의  향락주의적  성격과  그  역사적  배경▼c23900▼a4.  맺음말▼c25011▼a제3부22▼a조선후기  서적의  수입ㆍ유통과  장서가의  출현:18,19세기  경화세족  문화의  한  단면▼c25333▼a1.  머리말▼c25344▼a2.  서적의  수입과  유통▼c25455▼a3.  장서가의  출현과  경화세족▼c26266▼a4.  그  영향의  문제▼c26877▼a5.  맺음말▼c27688▼a조선후기  경화세족과  고동서화  취미▼c27799▼a1.  머리말▼c27700▼a2.  경화세족(京華世族)의  생활양상▼c27911▼a3.  고동서화(古董書畵)  소장가의  출현과  소장의  실례▼c28822▼a4.  감상지학(鑑賞之學)의  성립▼c30633▼a5.  그  영향과  의미▼c30944▼a6.  맺음말▼c31655▼a조선후기  예술품  시장의  성립  :  서화를  중심으로▼c31766▼a1.  머리말▼c31777▼a2.  2.  예술품  수요의  증가▼c31888▼a3.  예술품  생산자의  성격  변화▼c32399▼a4.  예술품  상인과  예술품  판매공간의  출현▼c33100▼a5.  맺음말▼c34011▼a제4부22▼a「우부가(愚夫歌)」  연구▼c34333▼a1.  머리말▼c34344▼a2.  주인공의  신분▼c34655▼a3.  새로운  경제환경과  양반의  경제적  몰락▼c34966▼a4.  양반의  타락과  봉건적  윤리의식의  파탄▼c36377▼a5.  끝맺음▼c36988▼a조선후기  서울과  한시의  변화▼c37399▼a1.  머리말▼c37300▼a2.  조선후기  한시에  반영된  서울의  도시적  성격▼c37511▼a3.  문학사적  의의▼c39622▼a4.  맺음말▼c40033
■9500  ▼b￦18000

미리보기

내보내기

chatGPT토론

Ai 추천 관련 도서