MARC

 008030609s2002        ulka                    000      kor
■020    ▼a89-88375-20-3
■0801  ▼a82-95
■082    ▼a800▼223
■090    ▼a800▼b채95ㅎ
■1000  ▼a채호석
■24510▼a한국  근대문학과  계몽의  서사▼d채호석  저.
■260    ▼a서울▼b소명출판▼c2002
■300    ▼a453p.▼b삽도▼c23cm
■505    ▼a1부  김남천  문학연구▼a제1장  서론▼c15▼a제2장  김남천  문학의  원형의  성립  과정과  그  특질▼c45▼a1.  정치와  문학의  비매개적  관계-정치우위론의  근거▼c45▼a2.  '혁명적  전위'로서의  주체에  나타난  균열-출옥후의  문학활동▼c67▼a제3장  1930년대  후반  김남천  비평에서의  주체와  리얼리즘에  대한  이해▼c74▼a1.  김남천  비평에서의  주체  개념의  분화와  전개-계급  구속적인  주체에서  보편성으로서의  주체로▼c74▼a2.  창작방법으로서의  리얼리즘의  변화와  이론적  특질▼c93▼a제4장  김남천  소설의  전개  양상▼c111▼a1.  소년을  주인공으로  한  소설들의  두  지향▼c11100▼a2.  '전향'과  지식인의  자기비판▼c14211▼a3.  지식인의  풍속도와  통속성-「세기의  화문」과  「사랑의  수족관」▼c16522▼a제5장  김남천  문학과  근대적  주체의  정립▼c18833▼a제6장  결론▼c21344▼a2부  리얼리즘,  혹은  모더니즘55▼a허준론(許俊論)▼c22966▼a1.  머리말▼c22977▼a2.  새로운  현실과의  만남-「잔등(殘燈)」▼c23188▼a3.  삶의  의미에  대한  존재론적  탐구-해방  전의  소설  「탁류」,  「습작실에서」▼c24099▼a4.  자의식에서  탈피와  새로운  작품세계로의  나아감-「속  습작실에서」,  「역사」▼c24600▼a5.  맺음말▼c25011▼a리얼리즘에의  도정:최명익론▼c25322▼a1.  머리말▼c25333▼a2.  해방  전  소설의  두  양상-「비오는  길」,  「장삼이사(張三李四)」를  중심으로▼c25844▼a3.  최명익  소설과  리얼리즘의  문제▼c26755▼a4.  맺음말을  대신하여▼c27266▼a최명익  소설  연구:  「비오는  길」을  중심으로▼c27577▼a이태준  장편소설의  소설사적  의미:「不滅의  喊聲」을  중심으로▼c29788▼a1.  머리말▼c29799▼a2.  『불멸의  함성』의  두  개의  창작  원리-애정의  삼각관계와  계몽주의▼c30100▼a3.  이태준  장편소설의  경향적  특성과  단편과의  연관▼c31411▼a4.  희화화된  『무정』-이태준  장편소설의  문학사적  의미▼c32222▼a5.  맺는  말▼c32433▼a임화와  김남천의  비평에  나타난  '주체'의  문제▼c32744▼a1.  들어가며▼c32755▼a2.  김남천의  주체  재건론-계급구속적  주체로부터  보편적  주체로▼c33266▼a3.  임화의  경우-낭만적  주체와  시민적  주체,  그리고  전향의  문제▼c34277▼a4.  결론을  대신하여-아직  확인하지  못한,  확인할  수  없는  몇  가지  생각들▼c35688▼a김남천의  『대하』를  빌미로  한  몇  가지  생각▼c36199▼a1.  문학성과  상품성,  근대의  덫▼c36100▼a2.  두  번째  생각-'풍속의  공식적  배치'와  총체성,  그리고  소설의  운명▼c36511▼a3.  세  번째  생각-형걸의  가출과  근대적  개인의  문제▼c36822▼a3부  1930년대  문학  다시  보기33▼a1930년대를  바라보는  몇  가지  방식:문학사와  방법론▼c37944▼a1.  들어가며▼c37955▼a2.  두  가지  쟁점-문학사,  그리고  방법론▼c38266▼a3.  지배담론으로서의  부르조아  이데올로기▼c39777▼a4.  글을  맺으며▼c40088▼a1930년대  후반  소설에  나타난  새로운  문제틀과  두  개의  계몽의  구조:허준과  최명익을  중심으로▼c40399▼a1.  문제  제기▼c40300▼a2.  최명익▼c40711▼a3.  허준의  「탁류」-계몽에  대한  부정과  주체  소멸의  욕망▼c41822▼a4.  결론을  대신하여-인식론적인  문제틀에서  존재론적인  문제틀로의  전환,  그리고  계몽의    두  구조▼c42333▼a1934년  경성,  행복찾기:박태원의  「소설가  구보씨의  일일」▼c42744▼a1.  광교에는  다리가  없다▼c42755▼a2.  청계천▼c42966▼a3.  어머니,  일상적  삶의  욕망▼c43177▼a4.  행복찾기  하나-가정  그리고  고독▼c43288▼a5.  기호로  남은  역사들▼c43499▼a6.  행복찾기  둘-'황금광시대'▼c43900▼a7.  행복찾기  셋-여인들▼c44111▼a8.  행복찾기  넷-벗을  그리며,  진정한  소통을  위하여▼c44222▼a9.  피로ㆍ신경쇠약ㆍ만성위확장▼c44433▼a10.  근대인의  제자리  맴돌기-탈출의  욕망▼c44844▼a11.  행복찾기의  끝-다시  어머니,  그  찬란하고도  슬픈  이름▼c45055
■9500  ▼b￦19500

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