MARC

 008041209s2004        ulka                    000      kor
■020    ▼a89-301-0077-5
■0801  ▼a7.01
■082    ▼a701▼223
■090    ▼a701▼b조65ㅎ
■1001  ▼a조요한
■24510▼a韓國美의  照明/▼d조요한
■250    ▼a2판
■260    ▼a서울:▼b열화당,▼c2004
■300    ▼a374p.:▼b삽도,사진;▼c24cm
■505    ▼a책  머리에▼c5▼aA  Summary▼c8▼a[한국미의  탐구를  위한  서론]▼a멋의  논쟁▼c15▼a멋의  연구▼c22▼a'한(恨)'과  '모노노아와레'▼c27▼a한국미술사의  기술▼c33▼a질박의  미학▼c45▼a우리의  과제▼c51▼a[동양의  아름다움과  서양의  아름다움]00▼a동양과  서양▼c6311▼a동서예술의  비교문제▼c6922▼a동양화와  서양화의  차이▼c7333▼a동양음악과  서양음악의  차이▼c8044▼a동양미학의  길▼c8755▼a[한국인의  미의식]66▼a한국인▼c10177▼a무교와  음악미▼c10488▼a불교와  조형미▼c11699▼a유교와  생활미▼c12800▼a맺는  말▼c14611▼a[한국인의  해학미]22▼a한국인의  웃음▼c15333▼a해학미▼c15844▼a김삿갓의  은빛  홍소▼c16355▼a판소리와  민화▼c16966▼a한국인의  미소▼c18577▼a[한국의  정원미]88▼a도교적  배경▼c19599▼a풍수지리설▼c20100▼a안압지와  포석정▼c20811▼a중국정원과  일본정원▼c21622▼a비원▼c22733▼a소쇄원과  부용동  원림▼c24344▼a인지제의▼c25255▼a[한국미의  전통과  계승]66▼a전통과  계승▼c25977▼a한국미술에  대한  젝켈의  견해▼c26488▼a한국미의  주도적  형식▼c27199▼a전통과의  접목▼c28300▼a[한국예술의  정신]11▼a텐느의  방법론▼c29922▼a한국의  자연과  그  아름다움▼c31533▼a한국미의  역사적  전승▼c33144▼a맺는  말▼c34255
■9500  ▼c22,000

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